The fine photography show “Exilios del Imaginario” at the Museo de Arte de Ciudad Juarez(MUACJ) attempts to review the past 50 years of photography in Juarez in keeping with the current celebration of the 50 years of the museum’s existence. As the show’s curators point out photography came to Juarez much earlier when the Mexican Revolution brought many war photographers to the city. Curators Jaime Bailleres and Itzel Aguilera show the progression of photographic development in the city beginning with some news photography and then showing how each generation learned from the previous one and developed a style of its own.
The show starts with Saul Sepulveda, who was a news photographer in the 50’s and 60’s, and who worked with a panorama camera which helped give his photos of such things as parades,for instance, as seen here, a wider scope, than the usual camera could manage.
From this point we can see more personal expression and some experimentation start to come into play. The mostly black and white photos show a desire to play with technique and material.There is are examples of non-camera image making, and using different material on which to print.
What clearly was a huge influence in the development and spread of photography was the establishment of a Visual Arts degree at UACJ in 2001. This seems amazingly late, but better late than never. From this point on in the show we see here a greater interest in more formalist concerns, more experimentation and some very good examples of the craft.
There are 61 photographers and 165 photographs in a mix of black and white and color, as well as as a mix of analogue and digital techniques. Although many of the pictures are taken in Juarez, there are also many taken in other parts of Mexico and in other parts of the world. The emphasis here is on the photographer, rather than the city itself.
Of course, even with 165 photographs the surface is barely scratched. I remember seeing a number of shows by local news photographers, which showed an amazing talent, and, in many cases, an ability to get beyond the immediate event recorded to create images which were haunting. There have been numerous shows at other venues by a great number of other equally talented photographers as well as by many who are on view here.
It occurred to me that an interesting auxiliary show might be an historical look at the real street photographers, by whom I mean those hard-working souls who have worked since time immemorial in the Plaza de Armas by the Cathedral taking pictures of tourists and locals who wanted a memento of their visit, and whose job was much easier when not everyone had a camera, and when selfies didn’t exist. It would be interesting to look at how their life and photographs have changed.
In any case, the show serves to remind us of some of the amazing talent in the city, whose practitioners continue to try to continue to explore the practice of photography in diverse ways.
For the past number of years, Alukandra, whose work is in the show, has been hosting a series of “Charlas Photographicas” (Photography talks) with different people speaking on some aspect of the field. This month it is being held on
Sundays, from 12-2 at the Juarez Monument, which dovetails with the Bazaar at the Monument also held every Sunday.
Last Saturday Alex Briseno, also included in the show, held another photowalk in which people turn their cameras loose on the city.
In short, there is a huge amount of talent and energy here and it would be nice if the rest of the world took notice of this aspect of the city, rather than the more dismal events which usually seem to be the only time the city is mentioned.-david Sokolec