Great Art Events This Week on the Border

There are some great art events happening this week on the border. Beginning tonight, (Wednesday May 17) at the Museo de Arte here in Juarez ,Carlos Palacios, curator at the Museo de Arte Carillo Gil and curator of the Carla Rippey show currently on exhibit will give a free talk about the show. This is at 7 pm and tomorrow at noon he will lead a guided tour of this extraordinary retrospective.
There are a series of events at the museum this week in honor of International Museum Day culminating in a whole series of activities this Saturday at Un Dia en El Museo.

Friday is the opening of what promises to be a fascinating exhibtion to be shown on both sides of the border. Called “Narradores, Ponte en los Zapatos del Otro” here and more simply “Storytellers” in El Paso it shows the work of 60 students from different schools who present thier videos, and projects as well as interviews in which they talk about their life, hopes and dreams.
This was supported by the US Consulate in Juarez with the participation of some other local organizations and, of course, the assistance of a wide variety of local schools.
The opening in Juarez is this Friday night at Juarez Contemporary Gallery at Calle Omega #1351 at 7 pm. It will be up through the 21.
In El Paso it is scheduled to open on the 25th at The Station Urban Offices 500 W. Overland where it will run through the 28th.
Thursday is also the start of a series of films to be shown pimarily at Cafe Unico and at the Cineteca Nacionale branch at Cultural Centro Paso del Norte. The series is called Apanerowa and concerns indigenous culture and human rights . The  series at Cafe Unico begins at 4 pm .

So there you have some of the things going on here. Don’t tell me there’s nothing to do in Juarez.-dsokolec

 

New Space at Museo de Arte

Tomorrow, Thursday 23, the Museo de Arte in Juarez is opening a new space dedicated to promoting local, national and international artists who deal in new media. Called Antecamara de proyectos it will be inaugurated by a film called Reflexiones en Torno al Cielo by Mexico City based artist Alexandra German who will be attending the opening, and curated by Victoria Vinamaragui.
Here is the description in Spanish from the museum. Looks like a wonderful new addition.
Antecámara de Proyectos del Museo de Arte de Ciudad Juárez tiene el enfoque de promover y difundir la producción y consumo de arte actual y nuevos medios. A partir de curadurías y diseños de exhibición que nazcan desde el museo. Antecámara es una sala alternativa que se logra dentro de una dinámica de rotación de artistas locales, nacionales e internacionales, para así lograr alcanzar mayores públicos.
the opening is set for 6 pm.-david sokolec

Carla Rippey- Resguardia y Resistencia

I am really looking forward to the opening of Carla Rippey’s retrospective  at the Museo de Arte here in Juarez this Friday night. Rippey is the current director of “La Esmeralda”(La Escuela Nacional de Pintura,Escultura y Grabado) and the first woman to hold that position. Although born in Kansas City, she has lived in Mexico since 1973, having fled Chile after the fall of Salvador Allende.
The exposition, covering the years 1976-2016, recently opened at the Museo de Arte Carillo Gil and from all I can gather  it seems a magnificent show which not only demonstrates her extraordinary skill at interweaving photography and printmaking among other artistic talents, but also, and more importantly, shows her interest in preserving her personal memory, exploring the female and cultural cross-currents.
Should be an incredible show ,particularly for those interested in print making and drawing  but also anyone interested in seeing the workl of this important and involved artist.
The opening is set for Friday 17th at 7 pm.
I also want to mention there is still time to see the show Encuentro de Mujeres Artistas at Alianza Francesa. Thirteen local artists combined forces to show 30 pieces in various media. The work shows just some of the remarkable talent here in Juarez, and the wide range of subject matter and media used. It includes a video, and a wonderful installation in a nook just inside the entry which combines music with shell forms hanging from the ceiling into each one of which is delicately inserted a drawing.
The show continues through April 10. -david sokolec

 

 

 

Exceptional African American prints at EPMA

San Antonio art collectors Harmon and Harriet Kelly have put together an extremely impressive collection of African-American art. If they had collected nothing more than the works on view at the El Paso Museum of Art, they would have still made an impressive accomplishment. These works on paper  can be viewed in any number of ways, all of them satisfying.
The exhibit ranges from the late 1800’s to 2002 and does a pretty good job of providing a cross-section of important artists during that time. Most of these artists studied at prestigious art schools in the US and abroad, and many travelled extensively . One question raised by the exhibit is why aren’t these artists better known?
The early works by artists like Grafton Tyler Brown (1841-1918) who spent most of his life in Canada  or Lois Maillou Jones (1905-1998) or Henry Ossawa Tanner(1859-1937) who studied with Thomas Eakins at the Pennsylvania Academy and then went on to spend most of his life in France generally focus on purely aesthetic concerns whether a shipwreck off the coast of Brittany or a ranch in western Canada. These are   highly skilled and well trained artists.
There is a shift a bit later with the rise of the Harlem Renaissance and with a general trend by many artists to focus on the society and social conditions around them. Although white artists like George Bellows and photographers like Walker Evans or Dorothea Lange have long been much better known, the skill and perception of an artist like Aaron Douglas (1899-1979) known as the Dean of the Harlem Renaissance among others makes us want to see more.
Although Europe was often a favorite place for these artists to live and study, a few also went to Mexico. Elizabeth Catlett (1915-2012) and Hale Aspacio Woodruff  (1900-1980) were among those who found inspiration in that country. Woodruff in fact  worked with Diego Rivera on murals.
The newer pieces in the show are generally far more overtly political, some using humor others straight-forward.
The Kelleys apparently started collecting this art when they saw a show and were somewhat embarrassed they were not very familiar with many of the artists. Their gain is also our gain in this excellent exhibition which can be seen purely from the point  of view of aesthetics as there are a wide variety of printing techniques employed and a wide variety of artistic skill at play, or  it can be seen as a socially relevant show documenting African -American life and concerns over a century or it can be seen as at long last bringing to view some extremely talented artists who are not nearly as well known as they should be at least to much of the general public. This show helps to rectify that situation.
It is free and on view until April 16.-david sokolec

 

 

 

 

Plans for a Nuevo Siglo

The folks at Los Paisanos de la Chamizal have an ambitious plan for a new huge Hispanic themed festival designed to bring artists and performers from all over the world as well as the inclusion of local talent in what sounds like a wonderful proposition. They have the support of the City and County of El Paso as well as the National Park Service and are looking for local talent, businesses and people in general to join in. Their website is  at Nuevo Siglo-elpaso.org.

I have to say that one of the things I found exciting when I moved here was the Siglo de Oro theater festival at the Chamizal. Under the leadership of the indefatigable Virginia Ness, theater groups and academics from all over the world came to both sides of the border to perform widely varying interpretations of plays from the Golden Age of Spain. I could never figure out why the city and various arts organizations didn’t use this as an opportunity to join hands and create a citywide, or binational wide, festival which would attract theatergoers from all over a la Spoleto festival in Charleston or the Santa Fe Opera. At last there  seems to be a recognition that a festival bringing together local and national talent to the region would be an enormous boost for the region.I’m not sure the new plan is designed to include the Siglo de Oro festival, which has unfortunately been allowed to dwindle to a pale shadow of its former self, or if , as it appears to be, an entirely new type of festival. In either case, it sounds wonderful and good luck to them.-david sokolec

Chalk the Block Rides Again

A reminder that this weekend is Chalk the Block weekend, and this year features an enormous dragon and the perfect selfie lighting. It’s been great to watch this fair grow and change and become really one of the major family events  in El Paso
The dragon, an enormous multi-ton light breathing monster using a dump truck as a base, is the brain child of Hong Kong artist Teddy Lo and Detroit artist Ryan Doyle. The selfie wall is a modular wall featuring the prospect of a wide variety of lighting situations so you can take the perfect view of yourself. I might be the only person who doesn’t  quite get the point of selfies other than as a possible hedge against dementia. They vaguely remind me of kidnap situations where you are asked to hold up the day’s paper to prove you’re alive, but everyone else seems to love them and this should be quite wonderful.
Among other art events here is also going to be a mural wall anchored by the El Paso Museum of Art and the Convention center. Artists are well-known and seemingly ubiquitous local street artists like Jellyfish collective and Los Dos as well as artists from Albuquerque and elsewhere.
And of course there will be lots of chalk drawings.
In any case the weather promises to be nice and it should be, as always, a lot of fun-david sokolec

Venas de Acero

Venas de Acero (Veins of Steel) is not the latest Marvel comic book offer, but the satisfying exhibition of sculptures by Agueda Lozano at the Museo de Arte de Ciudad Juarez. Born in Ciudad Cuauhtemoc, Chihuahua in 1944, Lozano studied art in Nuevo Leon and  moved to Mexico City in the tumultuous year of 1968. There she exhibited widely, but although there were a number of important art movements going on at the time, she apparently didn’t quite feel at home with any of them and moved to France in 1971. That seems to have been a smart move. The Museum of Modern Art  of Paris acquired one of her works  and she won a prize at the International Festival of Cagnes-sur-Mer.
She has spent her time since then working steadily and intensely on her work. She began painting abstracts but then turned to sculpture using steel as her preferred medium while continuing with her works on canvas.fotor_147534070947444.jpg

Ecoute Celeste -200x50x86 cm

The pieces shown here, all of fairly recent vintage and ranging in size from table top to well over 6 feet (200 cm)  show balance, harmony and movement. Lozano often gives her pieces sharp serrated edges as though the halves had been ripped apart. Other works are like “La Derniere Page” which shows leaves of a book with  the last page appearing to have just been turned.fotor_147525045699786.jpg La Derniere Page (132x75x85cm)

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Terre du Mexique Enterre de France (116x35x26cm)

There is a fluidity and sense of movement in many of the works with the parts seeming to either be about to wrap around each other or perhaps fly off.

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Etoile Filante (200×200 cm)
Also on exhibit are  some of her large (200 x 200cm) abstract paintings. These are spare uncluttered works which  hint at an interior world into which the viewer is allowed to enter.
When so much art being produced today often seems to be trying too hard to be clever or simply slapped together and rushed to market, it is refreshing to see work which can stand on its own and which shows the result of years of hard work and continuing exploration.
Lozano has recently inaugurated a cultural center in Cuautemoc where presumably the next generation of artists can be trained and developed.
The show will be up through the end of the year.-David Sokolec